Jam #15: For Her’s

Hers sitting in the grass.

They come to rest at any kerb:
All streets in time are visited.
–Philip Larkin, “Ambulances”

The first time I heard Her’s was in December 2018 and included their song Harvey in Jam #12: el fin. This is what I wrote then: “Harvey is sweet summer song that just makes me want to roll down my car windows and sing along. Try it.” Only one thing has changed since then. Last week, in the early hours of March 29th, both band members of Her’s, along with their manager, were tragically killed in an automobile accident en route to a gig in Santa Ana, CA.

Stephen Fitzpatrick (24) and Audun Laading (25) were best friends and made up the indie-pop band Her’s. They met at the Liverpool Institute for Performing Arts (founded by Sir Paul McCartney) and bonded over Twin Peaks and cinema before they formed Her’s in 2015. They released their debut full length album ‘Invitation to Her’s’ in 2018 and were on a 19 date tour through the U.S. at the time of their accident. You can read more about them on their website.

I got to know Her’s through their music and by watching their YouTube videos. Her’s did more than just write endlessly playable jams and compose funky arrangements – the sonic expanse of their sound is truly unexpected and mesmerizing. Stephen’s vocal range is so deep and I just cannot get enough of Audun’s fluid bass-lines and hilarious dance moves. Their richly textured music is both cerebral and full of emotion at the same time.

While their journeys have been cut short, their music will resonate through me for a long time. Here is a short playlist that I hope Stephen and Audun can jam to… wherever they are.

Playlist: Spotify | Apple Music | YouTube

1. She Needs Him – Her’s
2. I Don’t Know How To Love – The Drums
3. Huarache Lights – Hot Chip
4. Dancing in the Moonlight – Toploader
5. Drag – Day Wave
6. What Would I Do? – FUR
7. Queen’s Parade – Swimming Tapes
8. Down the Line – Beach Fossils
9. Darling – Real Estate
10. Still Life – The Horrors
11. Feels Like We Only Go Backwards – Tame Impala

A beautiful tribute: Atwood Magazine

My favorite YouTube videos:

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Jam #14: Disposable

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It has been one year since I started writing this blog – theMAZE. I don’t consider myself a writer or a music expert but I needed a reason to start listening to music. Subscribing to Spotify and documenting my musical journey seemed like a good starting point.

While it has been incredible to listen to so much new music, this entire experience has been a bit sobering as well. Let me explain.

In my teenage years when I discovered a new band or got a new cassette or CD my life would come to a standstill. I would listen to the same album over and over. I would memorize the words and spend hours figuring out the chords to my favourite songs. I would read album booklets back to back until I knew the names of producers and sound engineers. I especially loved reading the credits as I was always intrigued to see my heroes thank their heroes for the music.

Last week I found myself sitting in a freezing cinema hall watching Captain Marvel and I was instantaneously transported back to the exact moment in time when I first heard No Doubt’s album – Tragic Kingdom. It was autumn of 1995, I was around 12 years old and was sitting with my buddy and fellow band mate Cheeseball (his little brother was called Cheeseling). I recall Cheeseball’s exact words “Ajai, just wait and see, these guys are going to be huge.” No doubt they did go on to become huge and Don’t Speak became The Penguins’ (our band) most requested song that year.

Today music feels force-fed and over-consumed. Spotify and Apple Music algorithms constantly push hundreds of “fresh finds” at us. Countless unfamiliar artists, sounds, instruments and even languages dominate our ear buds at every free moment. In many ways it is incredible to be exposed to so much variety but the quantum has become so large that I, for one, end up skimming. I don’t really listen as much as I used to. I find myself skipping songs after 5 seconds… in some sort of mad hunt for something different.

As a result nothing sticks. I don’t remember when or how I stumbled across the awesome Come Meh Way by Sudan Archives from Jam #2. I definitely never memorised the lyrics to J. Cole’s Intro to “The Fall Off” in Jam #5 like I did 2Pac’s entire All Eyez On Me album.

Sadly, as much as I hate to admit, in many ways it feels like music has become disposable. And while it is concerning that disposable culture seems to perimiate many parts of our lives today, my biggest conern is the upstream effect this may have on artists or creativity in general.

Thankfully, for now at least the creative process lives large and this is evidenced by this sick Jam #14 featuring Leah Dou, Another Sky and I Mean US.

Enjoy.

1. Neon Me Out – Sego
2. Ordinary Pleasure – Toro y Moi
3. Money – Leikeli47
4. Miracle – Caravan Palace
5. Le cannibale – Juniore
6. About the Light – Steve Mason
7. Alligator Girl – Langhorne Slim
8. A swim in the love that you give me – Leah Dou
9. Balera De Mar – Opez
10. Let’s Go Trippin’ – Dick Dale
11. Sorry – Hala
12. Apple Tree – Another Sky
13. Seen My Aura – Helado Negro
14. EYヨ – I Mean Us
15. Take Me for a Little While – Dave Edmunds

Playlist: Spotify | Apple Music | YouTube

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A piercing track from L.A. indie rockers Sego, Neon Me Out sounds like a mix of a Beck and Kasabian track…. but different. I can imagine this would sound huge live in a stadium. A good way to start the morning… and this jam.

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Ordinary Pleasure is the first single off of Toro y Moi’s latest album Outer Peace. I love the congos in the beginning and the playful funky rhythm throughout the song.

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Who is Leikeli47? Thanks to her mask, nobody really knows. Something about mysterious rappers (Spark Master Tape from Jam #3) hooks me. The tight and clean bass line in Money is simple but complete. This isn’t just another track about dollar bills, models and bottles… Leikeli47 says it best: “Money’ isn’t about currency, it’s about the work. The phrase ‘I’m money’ or ‘I got money’ means I practice, it means I study, I’m confident, I’m that action and I’m results. Real money don’t complain, we make it happen. Hard work and sacrifice can and will eventually lead you to whatever your version of the ‘good life’ is, but you gotta be money before you can see money.”

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Miracle is a sprawling hot and sweaty dance song takes me back to Air’s Moon Safari days. I love the soft bass, twangy banjo, house-like build ups and the french horns towards the end. This is the first single of Parisian big band Caravan Palace’s album due to be released later this year.

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Sticking with the French theme, Juniore the sublime indie-pop quartet from France makes its second appearance on theMAZE. Le cannibale is a period track which takes me back to Francoise Hardy days. Just a nice tune to have on while you get along with your day.

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Steve Mason, from The Beta Band cult fame, has hit the spot in his latest song About the Light. While the album reviews are not entirely favourable, this soulful ballad’s poetic lyrics are deep and raw – “Found a piece of bad luck lying by the side of the road. I had a chance to put it in my pocket but I’m wiser, now I’m getting old.”

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Langhorne Slim’s voice is mesmerizing and sensitive at the same time. At first, Alligator Girl may sound like a simple blues number, but as the song progresses the guitar alternates between clean and overdrive producing a very unique sound scape. To add to this the backing vocals and synths also come as a surprise.

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Pardon my ignorance, but Leah Dou is the first Chinese electronic musician I have ever heard and damn am I floored! I don’t even know where to start with this track – her voice is intoxicating, the music and production is highly sophisticated. The track takes twists and turns every minute and the entire composition is fiercely original.

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On Bandcamp Opez describe it’s music as latin desert or funeral party music – seriously. Multi-instrumentalist Massi Amadori is the force behind Opez and his music is lush and beautifully hypnotic, but not morbid. When listening to Balera De Mar I am immediately transported to a pristine Kerala beach, not a soul in sight to the left and a surf board to my right.

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Let’s Go Trippin’ is my tribute to the legendary Dick Dale who passed away last week. Fondly remembered as the “King of Surf Guitar”, his tunes really brightened my days during my summer in California circa 2003.

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Sorry by Detroit based Hala is just a fun pop rock song… nothing more.

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Apple Tree is my favourite song off this playlist… I have had it on repeat (unusual). Catrin Vincent’s voice is seductive and soars throughout the song. I cannot wait to hear them live.

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Roberto Carlos Lange, also known as Helado Negro (literally translates to black ice-cream), has received rave reviews across the board for his latest album “This Is How You Smile” and it’s quite clear why. There are so many songs to choose from but for some reason this one sticks out. Pitchfork has a great interview with him where he breaks down every song on this album. I love the effects on the guitar and especially how they change throughout the song. But most of all, I really dig the complexity of the percussion arrangement which reminds me of Paul McCartney’s bass-line on Something, which is a song on in its own right.

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The band I Mean Us from Taiwan are incredible. EYヨ is not just another dream-pop track… it builds up beautifully and if I was a music director for a film (one of my dream jobs) I would choose this song for a scene of triumph where a battle is won or a summit is reached.

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Dave Edmunds’s cover of Take Me for a Little While just popped up on my Discover Weekly playlist on Spotify (evidence of force-feeding haha). I love it because it sounds different enough from the original to stand alone as a superb recording.

Playlist: Spotify | Apple Music | YouTube

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Jam #13: after dark

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I have been procrastinating over this jam for months… Between the beaches of Tangalle and the slopes of Gulmarg, my life has been in flux over the past few months. But music has been a constant. It has centred me.

My process for discovering new music is not at all well defined. I read blogs and newsletters, follow artists, listen to podcasts and of course, get lost in Spotify’s labyrinth of curated playlists.

But much of what I tend to listen to over and over again, reflects my mood or how I am feeling at the time. So music that resonates today may not necessarily be what I would chose to listen to tomorrow. Or next week.

This particular selection of songs is a good example. The songs are probably not for everyone, but for me, at this unique moment in time, they express where I am at.

After dark, this is music I like to watch stars by.

Plowing Through the Depths of Space

1. Cherry Blossom – ALA.NI
2. Tomb – Angelo De Augustine
3. Lebanon – J. S. Ondara
4. Mere Saath – Lifafa
5. Him and Her – FUR
6. On Ice – Michael Nau
7. Stag – Goat Mumbles
8. Just Like Honey – The Jesus and Mary Chain
9. My Narrow Road – Roo Panes
10. The Novelist – Richard Swift
11. Back, Baby – Jessica Pratt
12. The Bug Collector – Haley Heynderickx
13. Shedding Skin – Mutual Benefit
14. Float On – Mark Kozelek
15. I’ll Come Too – James Blake

Playlists: Spotify | Apple Music | YouTube

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ALA.NI’s Cherry Blossom is just a stunningly beautiful song. Her style is reminiscent of the Billie Holiday era but her voice is her own. ALA.NI says it best: “This song is about friendship, trust, and lust which are the key elements for any true love story.”

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I am blown away by Angelo De Augustine. His voice. His lyrics. Tomb is the deepest but most delicate love song I have heard in a very long time.

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J. S. Ondara has the most unique voice and his song Lebanon is powerful, folky and inspiring. His life story is as unique as his music. He was born to a poor family in Nairobi, grew up obsessed with GN’R, won a green card in a lottery and today is signed recording artist. He expresses his life full of struggle and eventual success through his music.

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Lifafa has gotten a lot of press lately in India and for good reason. His music is in a word… incomparable. The production is exceptionally complex with intelligent beats, sounds and heartfelt lyrics. You must listen to his album Jaago which is full of great tracks. Mere Saath resonates with me though… especially the lyrics in the chorus “Come with me… and forget.”

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Him and Her by FUR (yes.. it rhymes) is a fun indi-pop song. We all need these don’t we? Front man Murray says the song is: “about trust and distrust in a relationship. Trying to tell if someone trusts in you and how that can lead to you seeing them in a completely new light. Then, ultimately, the battle of deciding whether you want to be with them anymore.”

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I guess this is the fun section of this playlist… ha! Michael Nau’s On Ice is just a carefree song which makes me want to tap along and feel good.

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Here comes the twist. Stag by Goat Mumbles is dark and mysterious song that defies genre. In the movie of my mind, this song is playing while a kid is on the dancefloor looking for a partner while the club spins around him. Lights flash.

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On a bored night home I decided to re-watch Lost in Translation and became obsessed with the song Just Like Honey which closes out the movie. Bill Murray leaves Scarlett Johansson (my 20s crush) on the streets of Tokyo after whispering something inaudible in her ear. In a recent interview Sofia Coppola said: “That thing Bill whispers to Scarlett was never intended to be anything. I was going to figure out later what to say and add it in and then we never did. It was between them. Just acknowledging that week meant something to both of them and it affects them going back to their lives. People always ask me what’s said. I always like Bill’s answer: that it’s between lovers – so I’ll leave it at that.” Perfect.

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Somebody very close to me introduced me to singer songwriter Andrew ‘Roo’ Panes and I just cannot stop listening to him. Andrew wrote that My Narrow Road is about: “the way people work and the journey of relationship. It’s a beautiful but tough road to love someone other than yourself.” So true.

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The Novelist is a piercing song by the late Richard Swift. It leaves me with a feeling of desperation and incompleteness.

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Something about Jessica Pratt’s voice makes me believe her. Back, Baby is a sad song which is underscored by her repeating “Sometimes, I pray for the rain” over and over.

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I love the horns at the end of Haley Heynderickx’s cute song The Bug Collector.

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Sticking with the insect theme, Mutual Benefit’s song Shedding Skin is about the transformation of cicadas. Fun fact, a friend and I produced some (pretty awful) psytrance tracks back in 2003 under the name Psycada, a play on cicada.

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Mark Kozelek’s cover of Modest Mouse’s Float On is raw and enigmatic and brought back memories of what now seems to me like a different life.

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I’ll Come Too is an unexpected song by James Blake that speaks for so many people who struggle with opening up and just being themselves. It is a reminder that you need to be true to and love yourself before you can be true to and love others.

Playlists: Spotify | Apple Music | YouTube

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Jam #12: el fin

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In many ways 2018 has been a year of awakening for me. For ages now, my music discovery journey has been stubbornly stuck in neutral. The truth is I got lazy and was caught within the comfort zone of my dated iTunes library. I needed something to push me to expand my horizons and this blog did just that.

theMAZE has been a gift. It has introduced me to sonic geniuses such as Frank Ocean, Kamasi Washington and Julian Lage; rekindled by love for hip-hop with A$AP Rocky, J. Cole and Prabh Deep; and taken me back to my indie roots with bands like TOLEDO, Bahamas and The Helio Sequence. Just to name a few…

This blog, for me, has been more than just a series of curated playlists. The music I listened to cushioned blows and prolonged highs in a year full of change. It woke me up each morning, accompanied me to work and back, pushed me to climb harder and calmed me to sleep every single night. Music has been the only thing that could have ever filled a tiny corner of the immense void in my life. I am thankful that it did.

Music is an expression of my inner self. I hope by sharing some of what I am listening to, followers of theMAZE discover a few pieces of music that speak to them as well.

And so it ends… here is my final jam of the year.

1. Garden – Totally Enormous Extinct Dinosaurs
2. Is There a Place I Can Go – Trudy and the Romance
3. Lonely Man of Winter (Doveman Mix) – Sufjan Stevens feat. Melissa Mary Ahem
4. Boss – Little Simz
5. Lovers Rock – TV Girl
6. Ramble On – Led Zeppelin
7. Icicle Tusk – Fleet Foxes
8. Gallipoli – Beirut
9. Lady Boston – The Good, The Bad & The Queen
10. New Moon – Steve Gunn
11. Harvey – Her’s
12. Love in the Time of Socialism – Yellow House
13. Goodbye L.A. – Blah Blah Blah
14. My Love – Bahamas
15. We Are Fine – Sharon Van Etten
16. Yeh Duniya Agar Mil Bhi Jaye To – Mohammed Rafi

Playlists: Spotify | Apple Music | YouTube

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I cannot believe I have missed TEED’s music. I have been a Disclosure fan from day one and TEED has exactly the same vibe. I was intrigued to learn about his love for Indian music. If you want to hear super funky remixes of A.R. Rahman and Bapi Lahiri songs check out TEED’s Boiler Room set – SUPER! I love the bouncy bass line in his song Garden. Hope you caught them in Mumbai a few weeks ago!

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Finally, another genre defying band emerges – Trudy and the Romance (there is no Trudy in the band), is absolutely refreshing. The band describe their song Is There a Place I Can Go as “a love song about family, friends and coming of age in the new world. It’s a juvenile ballad using all the spank & tools we had to make the biggest bang.”

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Everything that Sufjan Steven’s touches turns to gold. The story behind Lonely Man of Winter is lovely. As a marketing campaign for his Christmas boxset, Sufjan wrote this song in 2007 and transferred ownership of the song to the winner of a promotional contest. The winner did not release the song but instead gifted the rights back to Sufjan. Perfect.

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Little Simz is anything but little. Boss is a prolific and provocative in your face rap that stings. In a stark contrast to much of the over produced hip hop out there, Little Simz’s instrumentation is minimal but piercing.

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We all need a little bit of indie-pop in our lives. TV Girl is just that. Loud synths, melodies stuck in minor keys, lovers who cannot connect and unexpected samples from noir films.

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Led Zeppelin’s music dominated my disc-man as a teenager. Strangely, I never paid attention to the lyrics of Ramble On which is set in Page and Plant’s version of Middle Earth! Sauron and Gollum are fighting over a girl rather than the Ring. Hilarious and incredible at the same time. I always default to Led Zeppelin when I need a shot of rock.

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Icicle Tusk is a single off of Fleet Foxes debut self-titled EP from 2006. They released less than 200 copies! A lost gem of a song that was finally re-released in November this year. The harmonies are raw and lush at the same time.

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Oh Beirut, I have missed thee. The story behind their latest single is classic and best told by Zach Condon –

“We were seeing signs for a city called Gallipoli. We get out of the car and we just decided to go for a walk and in that moment we happened to hit a procession. We happened to walk in at the exact moment as the Saint was leaving the church, carried by a bunch of priests. Behind them was this frenetic kind of brass band.

Sound was bouncing off the walls, and simultaneously every church bell in town was ringing, which just made for utter chaos. And the city is just claustrophobic, streets winding —you would have to live there your whole life to know where you’re going. We just got lost with it for an entire night. The next day, I wrote the song I ended up calling ‘Gallipoli,’ entirely in one sitting, pausing only to eat.”

I have just one word to describe Gallipoli – transcendent.

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The Good, the Bad and the Queen reunited after eleven years. The supergroup consists of Blur/Gorillaz Damon Albarn, the Clash bassist Paul Simonon, the Verve’s Simon Tong, and Afrobeat drummer Tony Allen. Their album is described as a concept album of what it means to be British. And nothing depicts this better than the haunting Welsh choir in Lady Boston.

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I will be honest, New Moon speaks to me because it sounds like a song by The Verve. Steve Gunn has masterfully captured Nick McCabe’s soundscape especially towards the end of the song.

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Harvey is sweet summer song that just makes me want to roll down my car windows and sing along. Try it.

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Love in the Time of Socialism is a wholesome love song, It reminds me of how much brighter the world looks when you experience it with somebody you love.

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A friend of mine just left the city and moved to the beach to get away from the madness that is Mumbai. Goodbye L.A. captures that familiar feeling of being trapped in a chaotic and careless city. The more I listen to this song, the more I question when I will drop out of the rat race of Mumbai and start living.

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An age old question – should we care what other people think about us? I have come to realise at bit late in life that I most certainly do not. My Love is a song off the soundtrack of the film Tribes of Palos Verdes which questions just this.

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An oldie for most people, but for me Sharon Van Etten’s We Are Fine is a new discovery. It is a duet with Zach Condon of Beirut that describes Sharon’s experiences with anxiety and panic attacks. It is a reminder to all people who face anxiety that you are not alone and reaching out to people that love you is the best way to get through it.

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Guru Dutt’s Pyaasa is one the most moving films I have ever watched. It is story about the despair, isolation, selfishness and materialism of modern society. Yeh Duniya agar mil bhi jaye translates to “What is this World to me, even if I can have it?” and is a beautifully tragic song sung by the legendary Mohammed Rafi.

Playlists: Spotify | Apple Music | YouTube

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Jam #11: little things / big stories

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A few weeks ago I was in a taxi and the driver had a peacock feather stuck in his visor. I thought it unusual and I asked him what it was all about. He said peacocks represent happiness, so the feather is a reminder to always be happy. A friend once told me when you find a feather, you find a trace of an angel. Lovely right? This playlist is very close to my heart . Just like the feather, these songs are full of little things with big stories.

1. Ulenflucht – Niklas Paschburg
2. Casual Encounters – James Tillman
3. Midnight, The Stars and You – Deerhoof
4. Sketches of Summer – Roo Panes
5. Forget Forgive – Someone
6. All These Things – The Helio Sequence
7. Eyes – Rogue Wave
8. First Flower – Molly Burch
9. (No One Knows Me) Like the Piano – Sampha
10. As Long as I Have You – Elvis Presley
11. Sanctify – St. Paul & The Broken Bones
12. Blaxploitation – Noname
13. House of the Rising Sun (feat. Tuka) – alt-J
14. CAN’T GET OVER YOU (feat. Clams Casino) – Joji
15. Alger la blanche – Nicolas Godin
16. Resolve – Alfa Mist
17. Sometimes – Goth Babe

Playlist: Spotify | Apple Music | YouTube

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Jam #10: pause

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Sometimes we just need to pause. Pablo Neruda expresses this best when he asks us to slow down and be in each other’s presence in the midst of the chaos that life throws at us from time to time.

Keeping Quiet
by Pablo Neruda

Now we will count to twelve
and we will all keep still.

For once on the face of the earth,
let’s not speak in any language;
let’s stop for one second,
and not move our arms so much.

It would be an exotic moment
without rush, without engines;
we would all be together
in a sudden strangeness.

Fisherman in the cold sea
would not harm whales
and the man gathering salt
would not look at his hurt hands.

Those who prepare green wars,
wars with gas, wars with fire,
victories with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.

What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.

If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.

Now I’ll count up to twelve
and you keep quiet and I will go.

This playlist reminds me to pause and be still…

1. Tomato Day – Kelpe
2. Little Love – Gabriel Kahane
3. cradle – Adrianne Lenker
4. Try Tho We Might To – Francis and the Lights
5. Knights Of Cydonia – Darlingside
6. Hot Heavy Summer (feat. Sylvan Esso) – Ben Howard
7. Faking – DYAN
8. ekki hugsa – Olafur Arnalds
9. Sail on Through – Spiritualized
10. Forever – Pete Drake
11. Needles – BAD WITH PHONES
12. Stevie (feat. Anna Wise) – Jon Bap
13. Livin’ In a Dream (feat. Nipsey Hussle) – The Neighbourhood
14. Getaway – Roosevelt

Playlists: Spotify | Apple Music | YouTube

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Jam #9: A Traveling State of Mind

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“Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life.” — Jack Kerouac

I read ‘On the Road’ for the first time in my mid-teens at boarding school in North India. Around this time I was also reading books like ‘The Alchemist’ and ‘Of Mice and Men’ while watching cult classics such as ‘Easy Rider’, ‘The Beach’ and ‘Y Tu Mamá También’. I didn’t realise it at the time, but I was unconsciously laying the groundwork for my life as a traveler.

Over the past eighteen years, I have lived in eight cities, spread across four countries and three continents. I have embraced each city as my home and always tried my best to blend in as a local while allowing my identity to evolve alongside. I have also explored five continents… solo, with lovers or friends and visited too many cities to count. While I love and respect my roots, I have always believed that my journey will never be defined by them.

Traveling allows me to be free. It thrills me to not know what is coming next. Whether I am following an elusive red pick-up truck through the dusty Carretera Austral en route to Futaleufú, stumbling upon (and joining) a bon odori procession during the Obon Festival in Osaka, experiencing Vivaldi’s calming Four Seasons at the Église Saint-Germain-des-Prés during a frigid Paris winter or waiting to see which daring wildebeest will be the first from the herd to cross the treacherous Mara river; I have never ceased to be amazed by mankind and nature.

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For me, travel is not a means to escape. In fact, even the destination is just part of the allure. I don’t travel just to meet people or learn about new cultures. I have come to understand that my wanderlust comes from my traveling state of mind.

I crave the freedom, the suspense driven by the unexpected, and the excitement of the next challenge. When I travel I am fully present to my journey and am completely engaged with my surroundings. My mind relaxes and I am able to cut out the noise and focus inwards.

When I travel, I notice things that I would not normally notice – like the different shades of green on the trees or a policewoman’s crisply over-starched uniform. I stop seeing and start observing. My senses are hightened and my mind is sharp. I allow myself to experience the moment as it is without worrying about the past or the future. I love deeper. My traveling state of mind is me at my best.

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There have been times in my life when I have been unable to fulfil my craving and when I look back, the side-effects have been devastating. So taking a cue from Kerouac, “the road is life” and hence lately, I have strived to sustain my traveling state of mind in my everyday life, regardless of whether I am hiking in the Himalayas or battling traffic in my current home – Mumbai. I am not there yet, but I am getting closer.

This is not a travel playlist, but it is what I have been listening to on the latest leg of my journey. Enjoy!

1. Purity (feat. Frank Ocean) – A$AP Rocky
2. Tribe (with J. Cole) – Bas
3. After the Storm (feat. Tyler, The Creator & Bootsy Collins) – Kali Uchis
4. you should see me in a crown – Billie Eilish
5. Show Me (feat. Hundred Waters) – Big Wild
6. Ellis Eye – Chilly Gonzales
7. Mercury – Sufjan Stevens, James McAlister, Nico Muhly & Bryce Dessner
8. Bemyself – Parcels
9. Aquellos Ojos Verdes – Mapache
10. Hazeldene – Royal Yellow
11. Utican – Novo Amor
12. Baby (How Much I LFO You) – DJ Koze
13. Funeral Singers (feat. Collections of Colonies of Bees) – Sylvan Esso
14. Where Angels Fear to Tread – Disclosure

Playlists: Spotify | Apple Music | YouTube

IMG_0331I am of the firm belief that anything Frank Ocean touches turns to gold. Frank’s minimalistic but super complex production coupled with A$AP Rocky’s droning voice in Purity just stunning. Love the acoustic guitar backing track.

It seems like acoustic guitar is making a comeback in hip-hop. Both Bas and J. Cole have slick and quick lyrics in Tribe which seem at odds with the chilled out guitar backing track. But it works.

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Hello Kali Uchis! After the Storm’s funky bassline and Kali Uchis’s sultry voice really hits the spot. Check her out on Jimmy Falon – steamy.

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16 year old Billie Eilish’s latest release is DARK. I love the synths and her whispering voice. I can see this being the soundtrack for the next Transformers film. What I dig the most about this track is that it is completely genre defying.

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Big Wild’s remix of Show Me Love has completely transformed the song. Big Wild has preserved Hundred Water’s deeply layered harmonies while creating an equally complex atmosphere that builds progressively to a crescendo which makes you jump out of your seat. Spectacular.

Solo Piano III is third part of Gonzo’s trilogy. Ellis Eye is a surprisingly traditional composition by the maestro. It is a sensitive and transcendant piece of music that makes my heartbeat and breathing slow down.

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Sufjan Steven’s dreamy voice breaks my heart. He describes the thought process behind writing Mercury best: “Life is so abundant here, and yet we’re so obsessed with the exterior of here. That’s what’s so interesting, there’s a sort of beautiful, perfect order to life on earth that’s so mysterious and so profound. And yet, as people, we really fuck it up. We’re so dysfunctional. And we seek guidance from the exterior world — from the heavens — to help us understand our purpose here, and to sort of create a sense of order.”

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Parcels are awesome. Do you want to know why? Watch this. If you are a Beatles there is nothing more to be said. If you are not, Parcels are reliving The Beatles’ final live performance on the rooftop of their label headquarters on Savile Row, London.

You know some songs just make you smile? Mapache’s cover of the classic Aquellos Ojos Verdes is just that.

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I love the beats on Royal Yellow’s Hazeldene. Irishman Marck O’Brien’s latest song is another genre defying piece of music.

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Utican is a breathtaking song about sexuality and the relationship between father and son. The video that accompanies the track is stunning.

Stefan Kozalla’s latest album is music journey that must be followed. DJ Koze is, without a doubt, a master of electronica.

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Sylvan Esso’s brilliant cover of Funeral Singers has converted this classic into a fresh electro-pop ballad.

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I didn’t realise how many covers I have on this playlist! Disclosure – WOW! I grew up listening to Ricky Nelson singing Fools Rush In so this song holds a special place in my heart. Disclosure have made the song their own and its deep texture is what makes it so special. Another song that makes me smile and want to grab my lover and spin her around.

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Playlists: Spotify | Apple Music | YouTube

Jam #8: Great Lakes

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I just returned from a wild twelve day adventure to see the Great Lakes of Kashmir. In all my travels I have seldom experienced such vast and untouched beauty. What made this experience even more special was that I was completely disconnected. No devices, no watch and…. no music.

I have gone without connectivity before, but I have never been so disconnected from music. It was a grand experiment for me and it yielded some very interesting results. Rather unexpectedly, the music that I connected to most while in the wilderness was… jazz. I heard it everywhere.

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At 12,000 feet above sea level, the mountains reflected brilliantly in the pellucid waters of Vishansar, a stunning glacial lake. Sitting on it’s shores in complete stillness, I spent hours observing the lake transform from a calm and inviting oasis into an undulating and almost eerie body of water. In Delarna, legendary jazz pianist Tommy Flanagan takes me on a similar journey from slow and steady to quick and hurried.

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Vishansar and its sister lakes Kishansar and Gadsar fed endless roaring but unnamed rivers. These rivers were eventually reduced to burbling streams inviting a host of buzzing insects and stunning flowers of yellow, blue, violet, pink and red velvet. Julian Lage’s delicate plucking on the simple but soulful composition – Day & Age brings this picturesque scene back to life for me.

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Walking through these seemingly endless and colourful meadows made me wish I was born in the 1950s, in time to witness the emergence of The Grateful Dead. Thankfully, bands like Circles Around the Sun keep the spirit of The Dead alive and Saturday’s Children is my alpine meadow song.

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The nights were cold and dark but far from silent. Just like bitches brew, sheep and goats bleated away while bakarwals (sheepdogs) marked their presence by barking the night away. Midnight bathroom jaunts felt like war preparation – 3 layers – check, headlamp – check, trekking pole (to be used as a weapon) – check and spooky tune (Kaytranada’s Weight Off) – check.

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Apart from the wildlife, the howling sounds of the wind crashing against the Himalayan mountains were a mainstay as was the patter of rain on my tent cover on most nights. Kamasi Washington embodies this frenzy perfectly in My Family.

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At dawn the crickets and grasshoppers chirped and butterflies fluttered just like Art Pepper’s unwonted clarinet in Sometime. As soon as our guide Rana gave us the good news that the first four hours of hiking would be mostly steep ascents, the only tonic available to me was the bluesy-avant-groove-funky jams of MMW – Shine It.

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It is extremely difficult to witness the distress faced by the people of Kashmir due to the political turbulence that dominates their daily lives. Each deal with it in their own way. Pictured above is one of our younger horseman wearing an “I am Kashmiri” t-shirt while a shepard just lays in the sun without a care in the world on top of a 14,000 foot mountain pass.

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My breathing was heavier than usual at 14,000 feet above sea level. During ascents my heartbeat sounded like short thumps of a double bass (allegro furioso). While descending my entire body felt like it was being brushed like a snare drum. For the first time in my life I began to appreciate my body as an instrument.

I hope you enjoy this jam and it takes you any place…

1. Shine It – Medeski, Martin & Wood
2. Delarna – Tommy Flanagan
3. Day & Age – Julian Lage
4. I Guess I’ll Have to Change My Plan – Bobby Hackett
5. Sometime (Alternate Take) – Art Pepper
6. Blues in the Night – Red Garland
7. You Do Something to Me – Sonny Rollins
8. Afternoon in Paris – Kenny Burrell
9. Weight Off (feat. BadBadNotGood) – Kaytranada
10. Silver’s Blue – Horace Silver
11. Saturday’s Children – Circles Around The Sun
12. Where or When – Wynton Marsalis
13. My Family – Kamasi Washington
14. Autumn Leaves – Cannonball Adderley

Playlists: Spotify | Apple Music | YouTube

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A Conversation with TOLEDO

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I was lucky enough to catch up with Massachusetts based indie-folk band TOLEDO to ask them a few questions about themselves and their stunning single Crane Song which appeared on Jam #4: Soul Surfin’ (Spotify | Apple MusicYouTube) from last month.

Dan and Jordan very graciously responded to all my questions with such honesty and unreserved openness. While reading their responses it makes so much sense that such a wholesome song was written and composed by such evolved souls.

Please do follow and support them on their websiteFacebookYouTube, Bandcamp and SoundCloud. I cannot thank them enough for their time.

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theMAZE: I’ve read that you both met while busking ages 12? What were you both playing back then?

Dan: We were both playing guitar I think but we were very very bad! There was a long period of time where I played piano and Jordan played guitar and that was the thing, but we have since changed a LOT.

theMAZE: Crane Song is a brilliant piece of music. I have so many questions! In India the crane is revered as the eternal symbol of unconditional love and devotion. In Japan, the crane or tsuru is a symbol of longevity and good luck. What is the crane to you?

Jordan: Thank you! It certainly is packed with symbolism and likely means something different for each listener. Weirdly enough when we were writing Crane I was inspired by this poem about a wooden bird – it had this inanimate object with glass eyes “watching” the events take place… For our song I loved the idea of these two young people falling in and out of love and there being a third party observing quietly.

theMAZE: In the second verse, I believe you are referencing the lovely story of The Little Prince? Who is your rose?

Jordan: NICE CATCH! This is exactly right.  Referencing The Little Prince helps reinforce the idea that these characters are young and still inexperienced in love. With each section of the song, its cool to imagine the characters getting older and wiser – the imagery in the first verse is very fantastic and whimsical and the lyrics get a bit more realistic and hardened as the song progresses.

theMAZE: “It is only with the heart that one can see rightly; what is essential is invisible to the eye.” Do you believe that we would all be better off following our hearts instead of our minds?

Dan: Yes! The heart can make you blindly do things you never would, like write a song about a weird bird! Our big philosophy is around impulsivity and raw emotion. The music we have released that is “mind-based” is much less personal than Crane Song and On My Own are. I think as a general rule of thumb, art and creativity should always be approached with your heart, because that is where your most authentic self lies.

theMAZE: There are so many subtle sounds throughout the song. Is that a tambourine in the background? At first, I thought it sounded like chains!

Dan: SO excited that you caught all that!! No chains of course, haha. But we placed a microphone outside and hung up a tambourine near it and let it do its own thing. The tambo has the most captivating performance in the entire song! Probably because we didn’t touch it!

theMAZE: What about the chirping birds? Can you describe the place where you recorded this song?

Dan: We tried to embody the space we recorded the song in as best as we could. And the birds wouldn’t stop chirping so we said “why not” and just had them sing their tune in the song. I like to think that they actually are just massive cranes singing along to their little opus. Glad you asked about the place! We record as a family friends cabin in Antrim, New Hampshire and it’s AMAZING. We are actually going there in a couple weeks to do a lot more stuff. 😉

theMAZE: What guitars do you guys play? I definitely hear a fender strat.

Dan: Close! We have a few, but I think on Crane its mostly a 62′ Duo Sonic that one of our mothers painted! It’s a super awesome guitar. At that time we also had a Guild m65 that has since been sold! But we recently acquired a really nice strat that you will be hearing in the new stuff!

theMAZE: I love how the song picks up in the middle section. Was that always the plan or did it just evolve into that? To me this is like the fun part of a relationship.

Jordan: I love that you are completely picking up on what each section represents! To answer the first question – NO it was not originally the plan to pick up the pace in the middle. Daniel brought that idea in and it was pretty nerve wracking at first because we had never done something like that before.

But it really “made” the song in the end and was really important to us as writers in terms of pushing us creatively. Its the section that we had the most fun recording and is absolutely supposed to represent the best parts of a relationship. Lyrically I feel like it’s moved past the falling in love and on to a need/obsession.

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theMAZE: But at the end love is not enough. The rose blooms and leaves. Is that what the end is supposed to mean?

Jordan: Unfortunately it is not enough. If we assume time is moving forward with each section, by now this relationship has ended. Daniel has said it feels a bit like wounds reopening. A few years removed from the situation, and youre able to look back and reflect and see how youve changed and what it was that changed you.

It’s an emotional section but its just as much about nostalgia as it is about regret. With the new voice singing this new section in a new time signature, its fun to imagine the crane is now the only one left …a vessel  to carry the weight of all of our memories and love and loss. It will remember the story even when the lovers have forgotten.

theMAZE: Is Daniel or Jordan singing on this song? Who plays the drums? The beats are sick!

Dan: Both! Dan sings the first couple verses, we both sing the chorus thing together, and then Jordan starts the upbeat section with the first line, Dan sings the second line, Jordan sings the verse thing after the loud sections, we sing the final chorus thing together. Sorry for the run on sentence, it’s pretty tough to describe the structure of something that has no structure! But, all in all, we usually split up the songs!

theMAZE: I’m sure everybody asks you this, but when are you going to release your first full length album?

Dan: I cannot tell you when, but I can tell you that an album (or EP) exists, a track order exists, and there are tons of new songs that we are hoping to present as our debut in the new few months! We will make sure that you get to hear it long before anyone else!

Just as a side note, we can’t explain to you how moved we were by these questions. It emotionally worked both of us up to have someone totally get it, and you get it like no one else ever has. It makes us feels excited and hopeful that one day we can build a fan base with people like you.

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Crane Song

There was a crane beside my bed
It lay about while we slept
And you could make it fly for you
And I tried to show my knees to you
I did..

I was the fox and you were my rose
You showed me how a boy could grow
And things would change you gave me time
When i was yours and you were mine

Oh, red and white poppies
All in a line
But you won’t follow
The arrow – steady now

There is a crane beside me waiting
I get carried away on the wind thats blowing
‘Cause you can make me fly to you
All the brash and brazen things you do

Don’t wanna talk, just wanna feel your love
My pretty lily bud
Things would change, you’d bloom in time
If i was yours and you were mine
I did…

I lose my mind, you pull my chord
You ask to meet me on your front porch
How sad to see you
Nothing has changed in me

You left a mark beneath my sheets
A little bird – fluttering
She speaks in words
I know them from long before

…But I wanna be
the alchemy in you.

Credits

Released February 26, 2018
Written by Daniel Alvarez and Jordan Dunn-Pillz
Mixed and Mastered by Harry Burr

 

Jam #7: Fade to Grey

There is something about Bombay in the monsoon. You either hate it or you love it.

For some the city is mucky, everything is damp, UBERs are never available and worst of all butter garlic crab at Trishna is off limits.

For me, nothing compares to Bombay in the monsoon. I get captivated by that goodly smell of rain on dry ground, the neon green leaves on the banyan trees, the fierce Arabian breeze and the clouds that fade to grey.

Just like the monsoon, this jam has its ups and downs… enjoy.

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1. BADlands – Bakar
2. Ultimatum (feat. Fatoumata Diawara) – Disclosure
3. Heaven Only Knows – Bob Moses
4. White Ferrari – Frank Ocean
5. You and Me – Durand Jones & The Indications
6. Say it to Me Naked – The Shivers
7. Any Place – Bahamas
8. Don’t Miss It – James Blake
9. Singin’ In The Rain – Gene Kelly
10. How Seriously You Take Yourself – Ski Lift
11. Speaking Terms – Snail Mail
12. Ruins – Collections of Colonies of Bees
13. Woo – Beach House
14. Sweet Tides (feat. LouLou) – Thievery Corporation

Playlists: Spotify | Apple Music | YouTube

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Camden rocker Bakar’s music is incendiary. BADlands, off his latest album, defies genre and just smacks you in the face.

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Disclosure just dropped their first single of 2018 – Ultimatum featuring Malian singer Fatoumata Diawara. Diawara is singing in the ancient language Wassoulou and her husky voice coupled with Disclosure’s groovy beats is sublime.

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I’m a huge Noel Gallagher fan and when I heard the opening lines of Heaven Only Knows – I was like wait a minute! I love Canadian duo Bob Moses’s harmonies throughout the song and while the bass line is piercing, it doesn’t take away from the melody.

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I received so many messages about Moon River on my first ever playlist. So here is another stunner by Frank – White Ferrari. Listen to the closing verse… no it’s not who you think it is! I was so sure it was Justin Vernon of Bon Iver singing but no, just Frank Ocean, versatile as ever.

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If you don’t know by now, I’m a sucker for oldies. Durand Jones and The Indications are bunch of music students from Indiana University’s Jacob School of Music (my alma mater) who came together for a one night gig and ended up cutting a record. I love the falsetto and the 50s R&B sound on You & Me. Durand Jones’s voice is just insane – check out this YouTube video of their song Is It Any Wonder.

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The Shivers latest single Say It To Me Naked is a soulful acoustic love song. I just learned this on the guitar and playing this on my balcony at sunset in the pouring rain is my version of heaven.

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Afie Jurvanen of the Bahamas has the most incredible voice. Any Place is about moving on from a love lost and the struggle most of us face when striving to live in the present moment.

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Don’t Miss It is a stunning song. Along with Frank Ocean, James Blake just doesn’t cease to stretch the boundaries as a singer songwriter. His use of effects to manipulate his voice and music is spectacular. The entire song is in two chords – simple but so deeply complex at the same time.

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Singin’ in the Rain takes me back to the happiest day of my life. There is nothing more to be said.

In their first release since 2011, Ski Lift has surprised us with an enigmatic EP which is fiercely original. How Seriously You Take Yourself is the perfect afternoon song to watch raindrops by.

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Snail Mail is the project of 18 year old Lindsey Jordan. Her voice is intoxicating in the song Speaking Terms off her debut album. Lindsey’s lyrics are deeply personal and I can see her being one of the voices of her generation.

The effects on Ruins are just exhilarating – I love it. Like Ski Lift, Collections of Colonies of Bees hasn’t released music since 2011 – I guess this is the year of cicada rockers?

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Beach House’s latest album 7 has so many amazing songs – but Woo is definitely my favourite. I love that I can recognise a Beach House song from the very first beat – golden.

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Sweet Tides is a classic that I have just rediscovered over the past few days. Thievery Corporation is still coming out with the most intriguing sounds but LouLou’s singing in this song is just so damn sexy I just cannot get enough of it.

Playlists: Spotify | Apple Music | YouTube